What a long movie. I have nothing whatsoever against longer movies; however, there are times when it is unnecessary. Unfortunately, this is one of those instances. A rather beautiful story that follows a media mogul approaching death and his daughter's relationship with a man she met from a coffee shop. The curve that is thrown is that the man, a charming and charismatic young fellow, is killed after he says goodbye to the mogul's daughter. What comes after death? Regarding this movie, the better question is to ask what comes before death?
Bill Parrish, the media mogul played by Anthony Hopkins, is neither dislikable nor likable, so immediately there is a dilemma regarding character development. Perhaps the face that people have come to associate with the psychotic cannibal Hannibal Lecter is not one that should be used in a film where we have to believe the father is a noble and charming person who has led a complete life. This is my only complaint, and it can be dismissed. The man in the coffee shop, played by Brad Pitt, does have and immediate clumsy charm about him once he appears on the screen. His little flirty interaction with Susan Parrish, Bill's daughter, is brief but heartfelt by two young people seeking love and company. As the two leave (we notice that they didn't even introduce themselves), they look back at each other several times, unfortunately missing eye contact on each turn back. The man realizes he must do something, only to be struck down by a taxi. Oh what could have been.
The movie then takes a regretful turn as the story heads back to Bill's business life. Unexpectedly, the man from the coffee shop enters Bill's life, but it is not the same man that Susan fell for. Instead, it is death personified by the man, coming for Mr. Parrish. In exchange for guidance, death gives Parrish more time. The seemingly singular reason as to why Bill does not want to leave the world behind is the reputation of his business as his own. Death personified, who we come to call Joe Black, leads an awkward existence as he sticks by Parrish's side for a majority of the movie, including when Bill needs to handle business. As Bill realizes that he has been mutinied, he accepts his fate as he declares he is ready for death. Joe Black somehow manages to restore the business under Parrish's name before the witching hour. So why was the glacially slow storyline of the business necessary?
I would say that the only significant part of the Joe Black-Bill Parrish storyline is Joe's interaction with Susan. Don't get me wrong, this is the a very significant part of the story, one that movies are made of. Joe, or death, learns little from his interaction with Bill; however, he learns to love Susan. This love that cannot be teaches Joe a lesson of life as he debates on whether or not to take Susan with him, a sort of Hades-Persephone relationship with mutual affection. However, in the end, Joe doesn't condemn Susan to the afterlife through love, because true love is limiting one's needs to satisfy the partner's needs. As death learns this lesson and takes Bill's life, he returns the man in the coffee shop to Susan, an ultimate sign of love. Since death could not live with Susan, he did the one thing he could do to make her life happy. Conclusion: Worth A Watch
Rating: 7.5/10
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